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Thank you to everyone who contributed their unbelievable talent to this album: Aaron Haynes, Scott Lee Jr, Ryan Ake, Matt McDonald, Jeff Dazey, Dan Dyer, Paul Cauthen, Noah Jackson, Kirby Brown, Charley Wiles, Jason Burt, Keite Young and J. Alexander Blue. Thank you to all who have helped us along the way: Wesley Geiger, Chase McGillis, Philip Creamer, Jeffrey Saenz, McKenzie Smith, Jonathan Tyler, Leon Bridges, Jordan Cain, Brandon Pinckard, Greg Giannukos, Austin Morgan, Matt Pence, Cal Quinn, Ric Bowden, Will Von Bolton, Ed Jurdi, Modern Electric Sound Recorders and the team at FAME Studios in Muscle Shoals, AL. Special thanks to Jeff Burns, Jordan Ford, Liz Foster and everyone at The Belmont Hotel for opening so many doors.
Dedicated to The Swampers, The Wrecking Crew, The Band and all of the anonymous heroes out there.
credits
released September 15, 2017
Habbie Doobie
(Daniel Creamer, Nicholas Lee, Matthew McDonald, Ryan Ake, Aaron Haynes, Scott Lee and Beau Bedford)
Demoniacal Squirrel Cage Music (BMI) / Nik Lee Publishing (ASCAP) / Mistery Matter Music (BMI) / Henry Forever Music (BMI) / Brown Drink and Blackjack (BMI) / Nueva Infundibulum Publishing (BMI) / North Patrick Music (BMI)
Pain
(Daniel Creamer)
Demoniacal Squirrel Cage Music (BMI)
Bondurant Women
(Noah Jackson)
Busy Busy Busy Publishing (BMI)
Dream Along
(Nicholas Lee)
Nik Lee Publishing (ASCAP)
Gone
(Paul Cauthen and Dan Dyer)
4816 Echo Music (BMI) / Griffinella Music (BMI)
My Way
(Paul Cauthen and Nicholas Lee)
4816 Echo Music (BMI) / Nik Lee Publishing (ASCAP)
Superstition
(Daniel Creamer)
Demoniacal Squirrel Cage Music (BMI)
TX Jelly
(Beau Bedford, Nicholas Lee, Daniel Creamer, Matthew McDonald and J. Alexander Blue)
North Patrick Music (BMI) / Nik Lee Publishing (ASCAP) / Demoniacal Squirrel Cage Music (BMI) / Mistery Matter Music (BMI) / J. Alexander Blue Music (BMI)
Pretty Flowers
(Dan Dyer)
Griffinella Music (BMI)
Shakin’ All Over
(Fred Heath)
EMI April Music Inc (ASCAP)
Trading Paint
(Dan Dyer)
Griffinella Music (BMI)
------------------
Produced by: Beau Patrick Bedford, except for “Gone” & “Pretty Flowers” produced by Beau Patrick Bedford & Jason Burt
Recorded by: Beau Patrick Bedford & John Gifford at FAME Studios in Muscle Shoals, AL, except for “Gone” & “Pretty Flowers” engineered by Jason Burt at FAME Studios in Muscle Shoals, AL & Beau Patrick Bedford at Modern Electric Sound Recorders in Dallas, TX
Mixed by: Beau Patrick Bedford at Modern Electric Sound Recorders in Dallas, TX
Mastered by: Brian Lucey at Magic Garden Mastering in Los Angeles, CA
Management: Steve Hutton, Uppercut Management
Booking: Jonathan Insogna, William Morris Endeavor
Art Direction: Fetzer Design
Cover Painting: Matt Cliff
Cover Painting Photography: Sadie Simmons
Interior Photography: Cal Quinn
------------------
Musicians:
Ryan Ake - Guitar on 1 and 7, Percussion on 2 - 5, 8 and 9, Drums on 9
Beau Bedford - Guitar on 10, Hammond B3 on 1, 4, 6 and 8, Backing Vocals on 1, 2, 6 and 9 - 11
J. Alexander Blue - Drums on 2 and 8
Kirby Brown - Backing Vocals on 5
Paul Cauthen - Acoustic and Featured Guest Vocals on 5 and 6
Daniel Creamer - Vocals on 2 and 7, Piano and Mellotron on 1 - 9, Guitar on 10, Backing Vocals on 1, 9, 10 and 11
Jeff Dazey - Sax on 7, Percussion on 1, 3 and 10
Dan Dyer - Featured Guest Vocals on 5, 9 and 11, Acoustic on 6, 9 and 11, Bass on 2 and 8
Aaron Haynes - Drums on 1, 3, 4, 6, 7 and 10
Noah Jackson - Featured Guest Vocals and Guitar on 3
Nik Lee - Vocals on 4, Guitar on 1, 2, 4 - 7, 9 and 10, Drums on 5, Backing Vocals on 1, 2, 6, and 9 - 11
Scott Lee, Jr - Bass on 1, 3 - 7 and 10
Matt McDonald - Bass on 9, Backing Vocals on 1, 2, and 9 - 11
The Texas Gentlemen - Group Backing Vocals by Matt McDonald, Nik Lee, Daniel Creamer and Beau Bedford on 1, 2, and 9 - 11
Charley Wiles - Acoustic on 9
Keite Young - Featured Guest Vocals on 1
Paul Cauthen appears courtesy of Lightning Rod Records
The best I've heard from Steve Earle in a while. The songs have a subtler, earthier tone, tastefully rendered in authentic sounding country/blues/bluegrass stylings. 'J.T' reminds of earlier records like 'Feel Alright' or 'Train a Comin'.
Deep grief, love and compassion is felt on the final track, the only composition from Steve, seemingly written for his son. The rest, composed by JT, do confirm what a great songwriter he really was. tideracer
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